Pnau

Pnau

Flagstaff Hill, South Beach, 2500 Nsw Directions

Sat 03.10.2026 19:00

Ball Park Music at Flagstaff Hill 2026-10-03T19:00:00

Performers

  • Pnau
    Pnau
    PNAU is the multi-platinum-selling, ARIA award-winning electronic act of Nick Littlemore (Empire of the Sun, Vlossom, Teenager), Peter Mayes and Sam Littlemore, famed for their extensive career born out of the underground clubs and festival dancefloors of Australia. PNAU continue to collaborate with some of the biggest artists around the world, being sought out for their unique artistry and production skills. In 2022 alone, PNAU contributed to the ELVIS soundtrack with ‘Don’t Fly Away’, remixed Diana Ross and Tame Impala’s track ‘Turn Up The Sunshine’ and also remixed Lizzo’s track ‘2 Be Loved’. With a catalogue of their own hits and multiple albums behind them, PNAU have enjoyed a powerful renaissance over the past few years, with multi-platinum hits ‘Go Bang’ and ‘Chameleon’ becoming inescapable on the airwaves in their home country of Australia, winning multiple ARIA Awards and climbing the Billboard Dance charts. Having worked with Elton John on the 2012 remix album Good Morning To The Night, in 2021 PNAU found massive global success with their Elton John and Dua Lipa recording ‘Cold Heart’, with the single being nominated for Song of the Year at the Brit Awards, picking up a Billboard Award for Top Dance/Electronic Song and delivering Elton John his first UK number one single in 16 years, surpassing over a billion streams in the process.
  • Hiatus Kaiyote
    Hiatus Kaiyote
    Melbourne-based, worldwide-beloved, genre-fluid Hiatus Kaiyote returns in 2024 with their new album Love Heart Cheat Code. Naomi “Nai Palm” Saalfield (guitar, vocals), Paul Bender (bass), Simon Mavin (keyboards), and Perrin Moss (drums) debuted in 2012 with LP Tawk Tomahawk, making fans of Erykah Badu, Questlove, and Prince, and embraced by tastemakers like Gilles Peterson and DJ Jazzy Jeff. Their first R&B Grammy nomination, for “Nakamarra,” was followed by another for “Breathing Underwater,” from their second LP, 2015’s Choose Your Weapon and a third for their 2021 album Mood Valiant for Best Progressive R&B Album. They’ve been sampled on songs by The Carters (Beyonce & Jay-Z), Kendrick Lamar, Anderson .Paak, Chance The Rapper, and Drake, with whom Nai Palm collaborated on his Scorpion album. For a band that made a name for itself with its complexity and received critical praise and garnered fans from around the globe for their embrace of maximalism, one of the most striking things about their upcoming album Love Heart Cheat Code is its simplicity. “I complicate fucking everything,” Nai laughs. “But the more you go through things in life, you become more relaxed and uninhibited. Sometimes you can still have depth and reach people and really stop dancing around the fact: What do you want to communicate to people? And I feel like this album is a result of that clarity for us.”
  • bbno$
    bbno$

    getting this money wyd?? pull up baby

  • Ball Park Music
    Ball Park Music

    Over 15 years into their career, everything Ball Park Music does these days feels like a victory lap. The Brisbane indie darlings have long established their status as one of Australia's most revered and endearing bands – with five of their seven albums having debuted in the ARIA top five, four of their songs having gone platinum and no less than a dozen Hottest 100 placements to their name. Most bands in that position would be happy to coast out their days on heyday nostalgia alone, but if it wasn't already clear: Ball Park Music are not most bands.

  • DMA's
    DMA's
    Reading and Leeds main stage sets, touring with Kasabian, 65,000+ tickets in the UK alone, and a massive sold-out Australian tour. DMA'S world is one of acceptance, freedom of expression, collective high, and each twist and turn in their journey to this point has led them to what will be a landmark album release for the band. With their fourth studio album How Many Dreams?, DMA'S have ambitiously crafted a record that is the grand sum of every part of who DMA'S are. Across twelve tracks, How Many Dreams? weaves electronic dance elements seamlessly through the beloved foundations of guitar rock, punk, and lyricism of their highest charting album THE GLOW (2020), which peaked at #2 on the ARIA charts, #4 on the UK Official Albums Chart, and #1 in Scotland. THE GLOW (2020) was recorded and mixed by multi-Grammy Award winning producer Stuart Price (The Killers, New Order, Madonna) at the historic Westlake Recording Studios in LA, and secured 4x ARIA Nominations and multiple Platinum and Gold (ARIA) singles.
  • Tkay Maidza
    Tkay Maidza
    BOOKINGS: [EU/UK] david.exley@paradigmagency.com [USA] jnabors@wmeagency.com MEDIA: [AUS/NZ] aniela@thinkingloud.com.au [ROW] annettelee@4ad.com MGMT: [WRLD] hellotkay@gmail.com
  • Genesis Owusu
    Genesis Owusu

    Kofi Owusu-Ansah, known by his stage name Genesis Owusu, is a Ghanaian-Australian rapper and singer from Canberra. He is the younger brother of fellow hip hop rapper, Kojo Owusu-Ansah p.k.a. Citizen Kay. Owusu's debut studio album, Smiling with No Teeth, reached the ARIA Albums Chart top 30. At the 2021 ARIA Music Awards he won four trophies for Album of the Year, Best Hip Hop Release, Best Independent Release and Best Cover Art.

  • Cosmo's Midnight
    Cosmo's Midnight
    twins from sydney who make music, hope you like x
  • Bootleg Rascal
    Bootleg Rascal

    Bootleg Rascal is a Yugambeh/Gold Coast-based duo comprised of Carlos Lara and Jimmy Young. Drawing inspiration from icons like Gorillaz, Kid Cudi, Sublime, and Massive Attack, the pair fuses hip-hop, reggae, indie rock, dub, and electronica into a unique, genre-bending sound.

    Since forming in late 2012, Bootleg Rascal has released a string of singles, two EPs, and four albums, earning global acclaim from fans and critics alike. Their music has been championed by Spotify, Apple Music, MTV, Rage, NME, Rolling Stone and triple j.

    The duo has toured the world, selling out headline shows across France, the UK, the Netherlands, Germany, the USA, New Zealand, and Australia. They have graced the stages of major Australian festivals, including Falls Festival, Caloundra Music Festival, The Plot, Day on the Lawn, Blues on Broadbeach, The Big Pineapple Festival, Lost Paradise, The Hills Are Alive, Festival of the Sun, Tracks Party Tour, Winter Wine Festival and Party in the Paddock. Additionally, they have toured with acts such as Sticky Fingers, Lime Cordiale, Coterie, South Summit, and UK legends Steel Pulse.

    Recently, they took their self-curated event, BOOTY BLOCK PARTY, national with shows in Perth, Darwin, Adelaide, Brisbane, Canberra, Melbourne, Hobart, and Sydney, joined by artists like Dear Sunday and Dizzy Days.

    Returning to the international circuit, the band sold out shows across New Zealand, the Netherlands, France, Belgium, Germany, Switzerland, and the UK.

    Bootleg Rascal’s self-titled fourth studio album was released on October 29, 2025. In early 2026, they toured the lead single, ‘Reasons’ nationally, with 11 of the 15 shows selling out. This year also marks the 10th anniversary of their debut album, ‘Asleep In The Machine’. To celebrate, the band will release a special deluxe version and embark on another tour across Australia and New Zealand.

  • Waax
    Waax
    power diva core AUS ↔️ LOS ANGELES new album Angel’s Mess is out now!
  • DUST
    DUST
    Australian-based punk act dust blend jagged instrumentation and melancholic soundscapes into a visceral, genre-defiant identity. Drummer Kye Cherry, bassist Liam Smith, saxophonist Adam Ridgway and dual vocalists/guitarists Justin Teale and Gabriel Stove formed dust in 2020 to begin honing in on a sound that is both cathartic and confrontational. Their debut EP, et cetera, etc, released in early 2023 via Kanine Records and produced by Wade Keighran (The Scare, Wolf & Cub), captured a raw and spontaneous fragment of the band’s early evolution. After its release, dust found themselves grounded in the new-wave of genre-defiance occurring across the country. The momentum garnered off the back of their debut release declared 2023 a pivotal year for the band performing an Australian tour in support of post-punk revival icons Interpol and Bloc Party as well as sharing the stage with shoegaze pioneers Slowdive at Sydney’s Enmore Theatre and Protomartyr in Antwerp. Their powerful live presence earned them another invitation to perform alongside Interpol in support of the 20th Anniversary of their seminal album Antics, solidifying their place overseas. As they continue to evolve, dust remain rooted in melancholia and self-inquiry. Their sound, at once nostalgic and forward-leaning, reflects a restless engagement with the social zeitgeist, slouching towards the future that they uneasily attempt to define. ( ͠° ͟ʖ ͡°) https://www.dust-band.com/
  • Surf Trash
    Surf Trash

    MGMT ~ surftrashband@gmail.com

  • Folk Bitch Trio
    Folk Bitch Trio

    Bringing you original tunes and harmonic arrangements, Melbourne based Folk Bitch Trio is Gracie Sin

  • 1tbsp
    1tbsp

    1tbsp is a dance/house project from Australian GRAMMY Award Nominated artist Maxwell Byrne, who has a sound that can be likened to a mix between ROSALÍA, Mura Masa and Jamie xx.

  • Fanny Lumsden
    Fanny Lumsden

    Growing up on a sheep farm in western NSW all the way to Glastonbury UK via hundreds of Country Halls throughout regional Australia, 2x ARIA and 9x Golden Guitar, 3x AIR award winning artist Fanny Lumsden’s journey has been a unique one. Having “established herself as one of the one of the genre's most esteemed performers” (The Australian) and with her new album HEY DAWN having just taken out the 2023 ARIA for Best Country Album, the CMAA Golden Guitar for Alt-Country Album of the Year and 2024 Country Album of the year at the AIR Awards, Fanny is a force to be reckoned with. Debuting at #1 on the Australian Album ARIA charts, being the 4th highest selling country album of 2023 and being her second album in a row to crack the ARIA global top ten. Fanny is continuing to break the rules and confirm herself as “undoubtedly the brightest new (country) star of the current era” (Capital News).  

    Following up her “breakthrough” album Fallow which took out the ARIA, five CMAA Golden Guitars and the AIR Country Albums, Fanny is known for her regional Country Halls Tour and has recently taken her joyous, energetic, and brilliant live show to debut in the UK to a packed Avalon Stage at Glastonbury and followed up with two hugely successful tours, including a self-produced and promoted sold out Country Halls Tour run in Scotland.  Wrapping up her Hey Dawn tour which sold out shows through NZ, Ireland, UK and theatres across Australia, and “confirms Fanny as a distinctive storyteller, and an indelible personality who can win over fans in or outside of country music” (Doug Wallan, The Australian).

  • Playlunch
    Playlunch

    Bogan Funk, straight outta Melbourne.

  • Radium Dolls
    Radium Dolls
    Storming out of Brisbane/Meanjin, Radium Dolls have carved out their place in Australia’s rock scene with sheer force and swagger, delivering a sound that’s as fierce as it is captivating. Known for their bone-rattling live performances and unmatched energy, this four-piece powerhouse consistently packs out venues and ignites crowd sing-alongs with their anthemic tracks. March 2024 marked a major milestone with the release of their debut album, Legal Speed, propelling them into the national spotlight. Standout singles like ‘CIA,’ ‘Wandering Eye,’ and ‘NAA’ have become anthems, resonating with fans far beyond their Brisbane roots. The Legal Speed headline tour saw the band play to packed venues across the East Coast, culminating in a sold-out show at Brisbane’s iconic venue, The Zoo. Fresh off the success of their second headline tour for their latest single, Man Scout, the Dolls have cemented their reputation as a must-see live act. Blending sharp humour, introspection, and ferocity, Radium Dolls craft music that balances raw storytelling with exceptional musicianship. With a growing following and unstoppable momentum, Radium Dolls are set to become a defining force in modern Australian rock. Bookings: brandon@selectmusic.com.au Mgmt: sag.noise@gmail.com
  • Mini Skirt
    Mini Skirt
    Northern NSW, Australia. 666miniskirt@gmail.com @miniskirt666
  • EGOISM
    EGOISM

    Just a local band from Sydney

    info@thirdpersonmanagement.com

  • Georgia Maq
    Georgia Maq

    Georgia McDonald has established herself in recent years as the singer and guitarist of Melbourne, Australia indie rock band Camp Cope, whose sophomore album How to Socialise and Make Friends (Run For Cover/Poison City Records) won widespread acclaim, topping a slew of 2018 end of year lists including NPR, Pitchfork, Billboard, Bandcamp, Stereogum, The Guardian, and Brooklyn Vegan.

    The impact of the trio's music on the indie landscape has been undeniable, with McDonald emerging as a brave, resilient, and often politicized figure. Using her formidable voice to fight for the betterment of the music industry and rally against sexism, racism and all forms of structural inequality, she has never shied away from the uncomfortable and difficult topics that dominate the news cycle.

    So when McDonald describes her debut solo album, Pleaser (Run For Cover/Poison City Records) as "a love album", it's immediately clear that this is a step in a different artistic direction. "I think the main theme is love, obviously, all kinds of love. Love that you walked away from so you could love yourself, unrequited love, forgiving love, love with no point to it," she explains.

    The album opens strategically with "Away From Love" - the only time guitar is featured on all of Pleaser, with the rest of the album done entirely electronically. "Away From Love" and "Like A Shadow" were recorded with Darcy Baylis, while the other songs on the record were produced by Run For Cover Records labelmate Katie Dey.

    Pleaser's 8 tracks shimmer and pulsate, calling to mind pop artists like Lorde, Robyn, Charli XCX and Gwen Stefani. "I took more time to record the songs and play around with them, and I liked that because I could change things and experiment more," McDonald says, continuing "I think the pressure of working with other people drove me to finish the songs, which I hated but also loved because it's nice to be challenged."

    While McDonald may have felt challenged while writing Pleaser, the experience of listening to the album is anything but difficult. Its unapologetic pop sentiments shine and delight, McDonald's gorgeous alto soaring above each track. It's a record listeners will find themselves quickly falling in love with and returning to again and again - and really, in times like these, who doesn't need more love songs?

  • Mid Drift
    Mid Drift

    Bursting onto the scene with their slick, wavy sound and vibrant female lead, Mid Drift have quickly become one of Brissy/Meanjins most iconic indie acts. Made up of Sarah Engstrom, George Swan, Daniel Larsen, John Reid, and Rowan Bowyer, Mid Drift draws inspiration from other Aussie acts such as Ocean Alley and Spacey Jane to create a unique, yet delicious mix of flowing melodies and infectious vibes. Brought to life by Sarah's powerhouse vocals and the band's tight musicianship, their live performances are buzzing with energy and leave each audience they play to craving more.

  • Spike Fuck
    Spike Fuck

    Spike Fuck is a rare figure in contemporary music — direct, disarming, and impossible to pin down. Emerging from Melbourne’s underground in the late 2010s with The Smackwave EP, Spike fused bleak synth-pop, post-punk melodrama, and brutally honest songwriting into something both vulnerable and confrontational. Armed with only a backing track and a microphone, early live shows saw Spike sing candidly about addiction, gender, dysfunctional love, and collapse — a kind of wounded sincerity that quickly drew a cult following.

    That early wave brought unexpected momentum: international tours, modelling for Rick Owens, and eventually a signing with Partisan Records. But just as things seemed to be breaking open, Spike disappeared, retreating from public life amid a personal reckoning.

    After a three-year hiatus -- during which time rumours swirled about death, institutions, or becoming a monk -- Spike returned in 2024: sober, clear-eyed, and transformed. The music that followed is bigger, wilder, and more alive. Performed with a rotating full band, the new material draws from ‘70s glam, spiritual soul, and damaged rock and roll — but always filtered through Spike’s unmistakable voice: bruised, intense, poetic.

    These are songs about recovery, identity, survival, and letting go — not sanitised, not triumphant, but real. Where the early work stared into the void, the new work steps forward with purpose. It’s not a reinvention. It’s an evolution — one born from chaos, now grounded in clarity.

  • Fool Nelson
    Fool Nelson

    Fool Nelson are a three-piece indie rock trio comprised of two brothers and their best mate. Hailing from Boorloo/Perth WA, they have quickly made a name for themselves, packing out venues with their energetic live show and a knack for writing catchy tunes.

    Off the back of multiple national-sold-out-shows and tours, supporting Skegss, Spacey Jane and Old Mervs, playing One Night Stand, Rolling Sets, and landing at #154 on triple j’s Hottest 100 and previously #1 Most Played on the station for several weeks, Rolling Stone has described the band as "One of the most exciting bands to come out of Australia's indie-rock scene in years."

    Leading on from plays on Sian Eleri’s Future Artist’s on BBC Radio 1 and Craig Charles’ BBC 6 Music show, the West Coast trio are primed for their first UK/EU shows in May, including stops at tastemaker fests The Great Escape, Dot To Dot, Liverpool Sound City, The Road to The Great Escape and London Calling in Amsterdam.

  • RONA.
    RONA.

    RONA. is the electronic project of Kaytetye (pronounced kay-ditch) musician and producer Rona Glynn-McDonald.

  • Moktar
    Moktar

    Moktar is a DJ and producer effortlessly combining club and techno with traditional Arabic instrumentation, sampling and producing to emphasise his Egyptian-Australian background.

  • FUKHED
    FUKHED

    Few have managed to snatch the attention of the Australian club and dance scenes like FUKHED. Delivering sets filled with relentless techno and late-night melancholia, FUKHED has crafted hefty mixes for triple j, Project Radio (UK) and The Sound Gallery; played fan-favourite sets at Field Day, Beyond The Valley and Subsonic; and shared stages with Nia Archives, I Hate Models and Patrick Mason.


    In 2023, she increased her global presence by touring across Europe and Japan, where her boisterous sets championed international and Australian dance music in equal measure. Her skyrocketing profile has also led to partnerships with brands including AIAIAI Audio and Vans; as well as coverage on Mixmag and Resident Advisor. Her trajectory continued strongly into the 2024 summer, when she broke into Australia's wider festival circuit.


    With her hammering debut single ‘No C No A’ dropping in 2024, FUKHED will continue to expand her global presence both onstage and in the studio.

  • C.FRIM
    C.FRIM

    RA: Resident Advisor